Dramatis Personae

Dramatis Personae

The Stage Manager sizes you up I have a confession to make-my level is in Dilemma (University of Washington, kind of ‘93 or ‘94, I forget). So when I was casting about for non-combat objective material for Pointe-a-Pitre, one of the first factors that occurred to me was Moliere, one of my preferred playwrights of the era. This led to the development of the Pointing Clown Play house in Pointe-a-Pitre, a position for patrons of the excellent artistry have fun with performances that have delighted the crown heads of Europe-and maybe see some fantastic old-fashioned romance and bloodletting(18th-century style) in the bargain. It also provided the cartoon team a probability to research and develop some authentic baroque acting gestures that look fantastic.

An actor's lifestyle for she and he

This cycle starts with an appeal from Director Marianne Picard, who runs the playhouse. Her leading man, Guillaume Chatnoire, has vanished in the center of a performance of "Le Misanthrope." Since he's experiencing the headline role-and the director's a bit busy with the actual play-she dispatched you to find him and get his amorous derriere returning onstage.

Sounds simple enough . . . WOW Gold though I wouldn't blame you if you boned up on your Moliere before experiencing this cycle. (Look for the Richard Wilbur translations to study them in the unique rhyming style.)